Relevance Revisited: A Postscript

small blocks that look like scrabble letters spell out the words "thank you"

As we exit 2021, I’m reflecting back on where I began the year, when I noted that “in 2020, the museum field as a whole showed itself to be out of step with society. . .  [and] irrelevant.”  At that time, I had begun having regular conversations with Emlyn Koster, a thought leader with three decades of experience as a nature and science museum CEO.  We talked about the ideas he expressed in his then-recently published Informal Learning Review article, where he emphasized urgency for relevance in museums, asking of any one museum, “Why does it exist? How does it align with surrounding environmental and/or societal needs?”  We talked about museums needing to “be bold” and step outside the constraints of their colonial and rationalistic origins, which privileges perspectives of those in power and separates nature from humans.  We discussed how we both wanted museums to embrace the complexity, interdependence, and global problems of life on Earth.  From those conversations, Emlyn became our regular 2021 guest blogger, writing monthly posts from his vantage point as a geoscientist, museologist, and humanist about difficult topics of our time, pleading museums to be leaders in addressing these issues.  

What I have valued most about Emlyn over the last year is his ability to bring together ideas and voices across time and disciplines and find interesting new ways of seeing things.  I’ve also thoroughly enjoyed the zeal with which he thinks, talks, and writes about the issues that are important to him.  Emlyn covers a wide range of topics in his 12 guest blogs, from his thoughts on how museums confront (or don’t confront) climate change to his beliefs on the type of leadership that is needed in museums.  From among them, two stand out as my personal favorites. 

  • Earth Day at 51: Why Museums Must Embrace the Anthropocene for drawing our attention to the world’s new geologic context of the Anthropocene and pleading for museums to present a unified [rather than the all-to-common divided] portrait of nature and culture, “with equal respect for both.”

Yesterday we published his final RK&A guest blog, Imagine: Museums Engaging with the Issues of an Anxious World.  In it, he weaves together voices from the distant and near past to illustrate how the museum field has repeated itself over the last century in its calls to be responsive and relevant during times of crisis in our country, yet the status quo remains the same.  From all of us at RK&A, I want to offer a strong expression of gratitude to Emlyn for his critical eye, commitment to the field, and camaraderie. We look forward to ongoing dialogue with Emlyn and specially to continuing to follow his writing.

 
Stephanie Downey

Stephanie brings more than two decades of research and evaluation experience to her position as owner and director of Kera Collective.  

She is driven by her lifelong passions for education and equity and informed by her training as an anthropologist.

Stephanie takes pleasure in working closely with museums and other informal learning organizations to help them leverage their strengths to make a difference in the lives of people and the wider world.

Stephanie has a national presence in the museum field, regularly presenting at conferences like that of the American Alliance of Museum and the National Art Education Association, as well as teaching and guest lecturing in universities such as Bank Street College and Teachers College at Columbia University. She was on the board of directors of the Museum Education Roundtable, serving as treasurer, from 2016 until 2021. 

When not working, you can find Stephanie in the kitchen trying new recipes, cheering on her children in their various activities, and hiking trails in the Hudson River Valley.

Stephanie’s favorite museum is the Lower East Side Tenement Museum because it combines many of her favorite things: an authentic and immersive historical setting, stories of ordinary people in extraordinary circumstances, and gritty New York City.

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Imagine: Museums Engaging with the Issues of an Anxious World