Audience Research to Shape Inclusive Interpretation at the Fine Arts Museums of San Francisco

Client: Fine Arts Museums of San Francisco | Location: San Francisco, CA

 

 

We used walk-and-talk interviews and surveys at the Fine Arts Museums of San Francisco to explore visitors’ experiences with interpretation, primarily labels, in support of the museum’s vision of being an inclusive and equitable institution. 

OVERVIEW

Kera Collective partnered with the Fine Arts Museums of San Francisco (FAMSF) to understand visitors’ experiences with interpretation at FAMSF, including (1) the ways in which they interact with FAMSF interpretation, (2) their views on the Museums’ current interpretation, and (3) whether they find FAMSF’s interpretation relevant, welcoming, and/or engaging.

Overall, the study sought to inform important internal goals for FAMSF: developing an institutional framework for interpretation; building staff capacity for audience research; and understanding ways in which FAMSF interpretation activates the museums’ vision of equity and inclusion.  

FAMSF is committed to providing interpretive content that creates a cohesive, inclusive, and welcoming experience for visitors—in particular, FAMSF aims to offer content that is relevant to and reflective of a diverse range of experiences. Thus, the study primarily focuses on experiences from BIPOC visitors in an effort to understand how FAMSF’s future interpretive framework can reflect an inclusive story of art history.

APPROACH

The project included three interrelated parts: 

  • Walk-and-talk interviews: FAMSF’s Interpretation Outreach Associates (IOAs) conducted 34 walk-and-talk interviews with BIPOC visitors during Free Saturdays at the de Young Museum and Legion of Honor Museum. They guided visitors through one of five specific interview routes, asking for their thoughts on FAMSF interpretation; participants received $50 for their participation. 

  • Short survey: An IOA collected 77 short, standardized surveys from visitors at the de Young and Legion of Honor. This brief survey asked visitors about their overall experience with FAMSF interpretation. 

  • Staff training: Kera led three training sessions on qualitative data collection and analysis for the IOAs; we also provided feedback during the data collection process.

CLIENT TAKEAWAYS

We found that FAMSF interpretation sparked visitors’ desire to learn the historical and cultural context of the artworks. They enjoyed explanations of complex and inclusive history, as well as learning about the cultural significance of objects. Visitors also appreciated the museum’s interpretation, finding it accessible, concise, and thought-provoking. At the same time, some visitors expressed the need for spaces to rest when encountering histories of colonization and violence and suggested continuing to include more perspectives from people of color.

We recommended that FAMSF use these findings as a starting point to further explore visitor experiences with interpretation. Interviewing BIPOC visitors provided insight into how FAMSF’s goals of inclusivity and equity are perceived. However, it is important to note that these visitors speak from their own lived experiences and do not represent the entirety of opinions within their racial, ethnic, or cultural groups.

Overall, our findings helped inform FAMSF’s future interpretive framework, highlighting key touchpoints for visitor engagement like multilingual interpretation, storytelling approaches, visual elements, and community voices.

Cathy Sigmond

Cathy brings many years of experience in education and experience design to her role as Head of Strategy at Kera Collective. 

Having previously worked in a variety of educational settings, Cathy is driven by her constant fascination and delight at how people make discoveries about the familiar and the unfamiliar. 

Cathy loves helping to shape experiences that spark curiosity and make a difference in people’s lives. She particularly enjoys the rapid, iterative nature of design-based research and the deep insights that come from qualitative research, especially on projects exploring interactions with the digital and built environments. 

Cathy shares her passion for experience design research widely and regularly guest lectures for graduate programs, including the Fashion Institute of Technology’s Exhibition and Experience Design Program and the Pratt Institute’s School of Information. Cathy served as the co-chair of the Museum Computer Network’s Human-Centered Design special interest group from 2018-2021.

Outside of work, you can usually find Cathy playing soccer, thrifting, or making her way through her large cookbook collection. 

Cathy’s favorite museum experiences are immersive; she will always vividly remember walking through the giant heart at the Franklin Institute, being surrounded by birds at the Peabody Essex Museum, and hearing centuries-old instruments come to life at the Museum of Musical Instruments. 

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