Sample Size: How many questionnaires is enough?

Sample size is a standard question we are asked, particularly for questionnaires since we will be using statistical analyses. For most audience research projects, we recommend collecting 400 questionnaires.  We are not alone in this general rule of thumb—400 is considered by some researchers (and market researchers in particular) to be the “magic number” in the world of sample sizes.  What makes 400 magical is that it is the most economical number of questionnaires to collect (from most populations) while keeping the margin of error at ± 5% (and the confidence level at 95%).  A sample size of 400 questionnaires keeps the cost of the research down while still allowing us to have high confidence in the results.  

To dive into this issue deeper, let’s talk about the three primary factors necessary to think about when deciding on a sample size: (1) population; (2) confidence level; and (3) margin of error.  Population is the number of people in the group from which you are sampling.  For instance, your population may be the number of annual visitors to the Museum, members, or visitors to a specific exhibition or program.  A fact that is often enlightening and counter-intuitive is that population does not have a proportional relationship to sample size.  To demonstrate this, follow my calculations by trying out one of the many sample size calculators available on the web, such as this one or this one.  Let’s start by determining a sample size for surveying the National Gallery of Art, which reported nearly 4 million visits in 2014 (3,892,459 to be exact).   Using the margin of error ± 5% and 95% confidence level, the sample size suggested is 385.  By comparison, the sample size suggested for The Phillips Collection, which welcomed 106,154 exhibition visitors in 2014, is 383.  Despite vastly different sized visiting populations, the recommended sample size for each museum differs by just two!  Again, this example demonstrates that sample size is not proportional to the population, but also, having an estimate of your population is often sufficient to determine a sample size (unless you are determining a sample size for a program with small attendance or other small populations). 

Confidence level and margin of error (or confidence interval), as you might expect, indicate the level of confidence or how “sure” you are about the results of the questionnaires.  Here, the researcher has to make a choice about an appropriate confidence level and margin of error based on how the data will be used.  At RK&A, we generally plan for the margin of error at ± 5% and a confidence level at either 90 or 95% because it provides enough confidence in the data given how our museum clients use the data to make institutional decisions.  If we were working with a medical professional making life-or-death decisions, we would want to be more confident in the results (thus, a lower margin of error and higher confidence level).  So why not plan to be as confident in the results as possible (regardless of how they are used)?  Money.  Confidence comes at a cost because, like population and sample size, the relationship between sample size and margin of error is not proportional.  For instance, see the graph below based on the population reported above for the National Gallery of Art.  Notice that the slope of the line is steepest on the left side of the graph and more gradual on the right side.  This shows the law of diminishing returns at play.  There are great benefits when moving from a sample of 200 to 400 (margin of error diminishes by about 2 percent), but the benefits are not nearly as great when moving from a sample of 400 to 600 (the margin of error diminishes by less than 1 percent).  Thus returning to our initial point, collecting more than 400 questionnaires is rarely prudent since the cost of data collection will be going up disproportionate to the reduction of the margin of error.  For our museum clients, we do not think that increase in confidence justifies the extra costs.

I would be remorse to end this post without a footnote.   While 400 is our rule of thumb for audience research data being collected through a standardized questionnaire, there are certainly many considerations and reasons why 400 might not be the magic number in every case.  We joke that the response to any methodological question is the often frustrating retort: “It depends.”  Sample size is no different—it depends.

 
Amanda Krantz

Amanda brings more than a decade of research and evaluation with museums as Director of Research + Practice.

Amanda is passionate about informal learning experiences and is particularly interested in helping museums welcome and support all experience seekers and learners.

She enjoys collaborating with the diverse range of clients with which Kera Collective works.  Amanda is energized by learning about the different people and communities that museums across the country aim to engage and helping museums do so through research and planning. 

Amanda serves as the Chair for the Professional Development Committee for the Visitor Studies Association (VSA) and leads the professional development working group.  Amanda previously served on the board of the American Alliance of Museum’s Committee on Audience Research and Evaluation (CARE). 

Outside of work, Amanda serves as Vice President of the PTA at her daughter’s school.  She enjoys being a parent, the therapeutic nature of gardening, and living in a small town in the Poconos. 

Amanda’s favorite cultural institution at the moment is Longwood Gardens because she spends time with her family there at holidays and special events. The Peggy Guggenheim Collection always has a special place in her heart because she interned there.

Previous
Previous

Sampling Protocols: How do I know that my sample represents the actual population?

Next
Next

IRB and School District Review—A Necessary Slow Down